Ismawati Barokah, Ismawati (2023) REPRESENTASI KEHIDUPAN IDOLA DALAM TRILOGI LAGU KARYA MIKITO-P (KAJIAN SEMIOTIKA TERHADAP LAGU “SARISHINOHARA”, “YONJUUNANA”, DAN “AKAITO”) みきとPの歌三部作におけるアイドルの生活の表象：「サリシノハラ」と「ヨンジュナナ」と「アカイト」の記号論的研究. Undergraduate thesis, Universitas Diponegoro.

Text Skripsi_Ismawati-Barokah_13020219130050.docx Download (1MB)

Abstract

ABSTRACT
Barokah, Ismawati. 2023. “Representation of Idol’s Life in Mikito-P Song Trilogy (Semiotic Study of Songs “Sarishinohara”, “Yonjuunana”, and “Akaito”)”. Thesis, Department of Japanese Language and Culture, Faculty of Cultural Sciences, Diponegoro University Semarang. Supervisor Dian Annisa Nur Ridha, S.S., M.A.
This thesis examines the representation of idol life in Mikito-P’s “Sarishinohara” song trilogy whose titles consist of “Sarishinohara”, “Yonjuunana”, and “Akaito” using the Roland Barthes semiotic model theory. The purpose of this study is to determine the physical structure and inner structure of the song lyrics of the “Sarishinohara” trilogy, then analyze the denotation, connotation, and myth contained in the music video according to the Roland Barthes semiotic model. This research method uses qualitative research methods or is written in descriptive form. Based on the results of data analysis, it is known that the negative side of idol life in Japan is in the form of mental pressure experienced by idols, limitations in relationships, and negative public behavior towards idols.
Keywords: semiotic, Roland Barthes, representation, song, music video, idol

Actions (login required)

View Item